![]() ![]() Where forms are unqualified perfection, physical things are qualified and conditioned. Though the forms are timeless and unchanging, physical things are in a constant change of existence. For Plato, forms, such as beauty, are more real than any objects that imitate them. But if he were to show me that the absolute one was many, or the absolute many one, I should be truly amazed". Matter is considered particular in itself. ![]() He supposed that the object was essentially or "really" the Form and that the phenomena were mere shadows mimicking the Form that is, momentary portrayals of the Form under different circumstances. The problem of universals – how can one thing in general be many things in particular – was solved by presuming that Form was a distinct singular thing but caused plural representations of itself in particular objects. For example, in the dialogue Parmenides, Socrates states: "Nor, again, if a person were to show that all is one by partaking of one, and at the same time many by partaking of many, would that be very astonishing. ![]() The Forms are expounded upon in Plato's dialogues and general speech, in that every object or quality in reality has a form: dogs, human beings, mountains, colors, courage, love, and goodness. Form answers the question, "What is that?" Plato was going a step further and asking what Form itself is. What is the form really and how is that related to substance? The status of appearances now came into question. The answer was substance, which stands under the changes and is the actually existing thing being seen. The pre-Socratic philosophers, starting with Thales, noted that appearances change, and began to ask what the thing that changes "really" is. Plato used the terms eidos and idea (ἰδέα) interchangeably. The original meaning of the term εἶδος ( eidos ), "visible form", and related terms μορφή ( morphē ), "shape", and φαινόμενα ( phainomena ), "appearances", from φαίνω ( phainō ), "shine", Indo-European *bʰeh₂- or *bhā- remained stable over the centuries until the beginning of Western philosophy, when they became equivocal, acquiring additional specialized philosophic meanings. This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 License. Plato uses these aspects of sight and appearance from the early Greek concept of theįorm in his dialogues to explain the Forms and the Good. The early Greek concept of form precedes attested philosophical usage and is represented by a number of words mainly having to do with vision, sight, and appearance. Nonetheless the theory is considered to be a classical solution to the problem of universals. Plato speaks of theseĮntities only through the characters (primarily Socrates) of his dialogues who sometimes suggests that these Forms are the only objects of study that can provide knowledge. The theory itself is contested from within Plato'sĭialogues, and it is a general point of controversy in philosophy. To this theory, ideas in this sense, often capitalized and translated as "Ideas" or "Forms", are the non-physical essences of all things, of which objects and matter in the physical world are merely imitations. Love is a two way street that asks for everything you've got.The theory of Forms or theory of Ideas is a philosophical theory, concept, or world-view, attributed to Plato, that the physical world is not as real or true as timeless, absolute, unchangeable ideas. According The classic actress Katharine Hepburn tells it like it is. "Love has nothing to do with what you are expecting to get-only with what you are expecting to give-which is everything." It follows that those halves when joined would be in harmony.Ģ0. Plato philosophized that everyone has a soul mate, a literal half to combine and complete each other. At the touch of a lover, everyone becomes a poet." Those who wish to sing always find a song. "Every heart sings a song, incomplete, until another heart whispers back. The poet Walt Whitman was ever the wordsmith, but says it best with brevity.ġ9. Love is a sweet agony that causes one to push aside reality. "She was ready to deny the existence of space and time rather than admit that love might not be eternal."ĭe Beauvoir portrays the agony of love through one of her characters. The nurse of verse spelled it out when love feels so blissful, every waking moment is like a dream come true!ġ7. "You know you're in love when you can't fall asleep because reality is finally better than your dreams." Sometimes you need to sit in the sidecar and let love take you on a ride!ġ6. Tom Robbins said it best when it comes to giving in to the wild abandon of love. ![]()
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